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Attention
- Mar 5, 2022 Rhythm: THREE EXERCISES in CROSS-RHYTHMS
- May 30, 2021 The Cycle of Fifths
- Feb 10, 2021 Incremental Variation
- Feb 6, 2021 Hand/Mind Coodination Exercises:
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Body-intelligence
- Aug 11, 2021 Slowing Down
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Composing
- May 1, 2021 Playing with Intervals
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Ensemble work
- May 30, 2021 The Cycle of Fifths
- Feb 3, 2021 The Unison Exercise: real-time interval identification
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Form
- Jan 24, 2021 “Fifty-fours”
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Hand coordination
- Feb 6, 2021 Hand/Mind Coodination Exercises:
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Harmony
- Feb 10, 2021 Figured Soprano
- Feb 1, 2021 Chords & Lines I
- Oct 21, 2020 Sequences - Diatonic cycle of fifths
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Ideas
- Mar 11, 2022 For Children and Ensembles
- Jun 12, 2021 Starters
- May 1, 2021 Playing with Intervals
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Improvisation
- May 1, 2021 Playing with Intervals
- Feb 6, 2021 Motives over an Ostinato
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Intervals
- May 1, 2021 Playing with Intervals
- Feb 3, 2021 The Unison Exercise: real-time interval identification
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Listening
- May 28, 2021 1234T—Real-time interval identification
- Feb 3, 2021 The Unison Exercise: real-time interval identification
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Musicianship
- Mar 5, 2022 Rhythm: THREE EXERCISES in CROSS-RHYTHMS
- Aug 11, 2021 Slowing Down
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Pianism
- May 30, 2021 The Cycle of Fifths
- Mar 10, 2021 Keyboard Topography
- Nov 8, 2020 Symmetrical fingering: Etude #42 of Brahms with simple variations
- Playing with intervals
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Practice
- May 22, 2022 On Practice: practicing vs. having a practice
- Rhythm
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Rhythm studies
- Jan 24, 2021 “Fifty-fours”
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Rudiments
- May 28, 2021 1234T—Real-time interval identification
- May 1, 2021 Playing with Intervals
- Feb 3, 2021 The Unison Exercise: real-time interval identification
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Structure vs. Ornamentation
- Aug 16, 2021 Permutations and Embellishments
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Student Work
- Apr 17, 2021 Student Work: Journals
- Feb 9, 2021 Student work—York University: Recording Projects
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Substitution
- Feb 6, 2021 Motives over an Ostinato
- Jan 26, 2021 Panorama of the Goldberg Variations plus Invaria
- Jan 24, 2021 “Fifty-fours”
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Unison
- May 1, 2021 Playing with Intervals
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Variation
- May 1, 2021 Playing with Intervals
- Feb 10, 2021 Incremental Variation
- Feb 6, 2021 Motives over an Ostinato
- Jan 20, 2021 “Guiro Elaborations” Working with the granularity of rhythm: a pattern comprising only groups of one and two pulses
- Nov 8, 2020 Symmetrical fingering: Etude #42 of Brahms with simple variations
- 1+4 texture
- Arpeggiation
- Articulation
- Bifurcation
- Block chord
- Blocking vs lineating
- Complimentary tones
- Coordination
- Coupling
- Cross phrasing
- Crush
- Cumulative
- Diad
- Embellishment
- Ensemble work
- Figure
- Goal tone
- goal tones
- Guiro
- harmony
- Improvisation
- increment
- Interval recognition
- intervals
- inversion
- Journals
- keyboard design
- Learning
- Memory
- Musical Attention
- Neighbour tone
- Obbligato
- Ostinato
- Passing tone
- Permutation
- Pitch subsitution
- Pitch substitution
- Practice
- Reading
- Reading rhythms
- real-time
- Recording Projects
- Rhythmic augmentation
- rhythmic augmentation
- Rhythmic diminution
- scale structure
- Secundal motion
- stringer tones
- Substitution
- Symmetrical
- symmetry
- texture
- Timbre
- triads
- Unprepared modulation
- Variation
- Voice
- Voice-leading